Compiled from the Performing Arts programmes* and Visual Arts exhibition records from HKADC’s Arts Yearbooks and Annual Arts Survey projects dating from 2010.

Ingenious Iceland : Twentieth-Century Icelandic Paintings From The Anthony J. Hardy Collection

Visual Arts

Event Detail Image
Art Genres / Sub-categories

Painting

Location

The University of Hong Kong, University Museum and Art Gallery

Start Date

2013/09/11

End Date

2013/11/25

Art Genres / Sub-categories

Painting

Location

The University of Hong Kong, University Museum and Art Gallery

Start Date

2013/09/11

End Date

2013/11/25

Ingenious Iceland : Twentieth-Century Icelandic Paintings From The Anthony J. Hardy Collection

Description

Description

The University Museum and Art Gallery is delighted for this opportunity to show more than 80 Icelandic paintings, sculptures and drawings from the collection of Mr Anthony J. Hardy. Historically reminiscent of the painterly traditions of the Nordic School of Scandinavia, Icelandic artists departed from the well-established parameters of northern European sea- and landscape painting during the 20th century. Although many of the best-known local painters were trained in Denmark—a larger neighbouring country with an established art school and cultural scene—they developed with time a more distinctive Icelandic style influenced by the local terrain, mythology and folklore.

This retrospective of select Icelandic painters documents a century of continuous creative emancipation as well as a constant documenting engagement with the island’s community, nature, beauty and vastness. Throughout the years and social change, it is Iceland’s own culture that produces pictorial compositions and vision of rural life and leisure. Whereas Abstract art became popular in the mid-twentieth century and shadowed the international interest in cubism and abstract expressionism, the conservative political atmosphere and Iceland’s ambition to remain independent and self-sufficient led to a more isolated though deeply traditional art movement. This eclectic selection presented here to the public for the first time gives testimony of inevitable artistic energy, and we thank Anthony for sharing with us the tokens of his long-lasting adoration of Iceland and its artistic talents.

Note:This event record is compiled from "Hong Kong Visual Arts Yearbook 2013" published by Department of Fine Arts, The Chinese University of Hong Kong.

Info

Indoor / Outdoor

Indoor

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